MONOPHONIC: "Cruella DeVil, 101 Dalmatians, "Hey Mami, Sylvan Esso" (the first minute, then it grows)
POLYPHONIC: "Cannot Believe my Eyes, Dr. Horrible's Sing Along", "For The First Time in Forever (reprise), Frozen" "Parsley, Sage, Rosemary, and Thyme by Simon and Garfunkel"
TEXTURED: "Renegade, Styx" "Come on Eileen, Dexy's midnight runners", "Down Once More, Phantom of The Opera", "One Day More, Les Miserables"
these are the ones I can think of at the top of my head, hope it helps!
The most avant-garde aspect of Kandinsky's art is that it is?
Answer:
"Kandinsky" redirects here. For other uses, see Kandinsky (disambiguation).
Wassily Kandinsky
Vassily-Kandinsky.jpeg
Kandinsky, c. 1913 or earlier
Born Wassily Wassilyevich Kandinsky
16 December [O.S. 4 December] 1866
Moscow, Russian Empire
Died 13 December 1944 (aged 77)
Neuilly-sur-Seine, France
Nationality Russian, later French
Education Academy of Fine Arts, Munich
Known for Painting
Notable work
On White II, Der Blaue Reiter
Movement Expressionism; abstract art
Wassily Wassilyevich Kandinsky (/ˌvæsɪli kænˈdɪnski/; Russian: Василий Васильевич Кандинский, tr. Vasiliy Vasilyevich Kandinskiy, IPA: [vɐˈsʲilʲɪj vɐˈsʲilʲjɪvʲɪtɕ kɐnʲˈdʲinskʲɪj]; 16 December [O.S. 4 December] 1866 – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art.[1] Born in Moscow, Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.
In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky "became an insider in the cultural administration of Anatoly Lunacharsky" and helped establish the Museum of the Culture of Painting. However, by then "his spiritual outlook... was foreign to the argumentative materialism of Soviet society", and opportunities beckoned in Germany, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944