Based on the given image of two men inspecting torpedo-shaped containers filled with malt whiskey during the Prohibition-era, the following conclusions can be drawn about the Eighteenth Amendment, which was in effect at the time and prohibited the manufacture, sale, and shipment of alcohol:
The Eighteenth Amendment (Prohibition) was an amendment to the U.S. Constitution that outlawed the manufacture, sale, and transportation of alcoholic beverages from 1920 to 1933.
During the Prohibition era, people continued to drink alcohol despite its illegality.The sale, distribution, and consumption of alcohol were driven underground and became more dangerous, leading to an increase in organized crime as well as violence, corruption, and bribery.
The Eighteenth Amendment was repealed in 1933 when the Twenty-First Amendment was ratified, which ended Prohibition and legalized the manufacture, sale, and transportation of alcohol for consumption within the United States.
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on which type of medieval architecture can spires be found?
Answer: The medieval architecture spires can be found on is Gothic.
Answer:
Gothic.
Explanation:
how is the beat divided in this selection? a. long-shorts in the drum during the guitar solo. b. short-short-short-short or four quicker notes. c. short-short or two quicker notes on each beat. d. long-shorts or three quicker notes on each beat.
The beat in the given selection is divided into short-short or two quicker notes on each beat. So, the option is C.
What is beat?A beat is a recurrent pulsation that produces the music's rhythm. It is a series of notes arranged in a particular pattern. To measure time, music is divided into equal time units known as beats. A beat is a musical instrument that plays a single sound or tone at a fixed speed and rhythm. A tempo, or the speed of the beat, is determined by the speed of the pulse in the music.
What is the selection about?The provided selection does not mention any details about the selection. We cannot determine the content of the selection based on the given information. Therefore, the best answer that can be inferred from the given options is that the beat in the selection is divided into short-short or two quicker notes on each beat. This implies that the beat follows a binary pattern, as opposed to a ternary pattern, which would have three quicker notes on each beat.
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Asymmetrical balance is a feature of _. a. Damien Hirst's Posterity—The Holy Place
b. Wallace Berman's Untitled (A1-Nebulae)
c. Edgar Degas' Jockeys Before the Race
d. James Hoban's Design for the President's House
Asymmetrical balance is a feature of Damien Hirst's Posterity—The Holy Place. The correct answer is option a.
What is Asymmetrical balance?Asymmetrical balance is where both sides of the composition are not identical, yet have an equal visual weight or visual attraction. Asymmetrical balance can be attained in many ways, including color, scale, and shape.
What is Damien Hirst's Posterity—The Holy Place?Damien Hirst is an artist who creates modern art pieces. Posterity—The Holy Place is one of Damien Hirst's works. It is a butterfly painting. This is made with thousands of butterflies, all of which have died naturally. The butterflies are painted in vibrant colors and are arranged symmetrically. Butterfly wings are arranged symmetrically to create the impression of a stained-glass window, similar to the rose windows found in many churches.
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The Classical principle of contrapposto, or weight shift, was reintroduced into Western art by the sculptor ____.
a. Ghiberti
b. Verrocchio
c. Pollaiuolo
d. Donatello
The Traditional guideline of contrapposto, or weight shift, was once again introduced into Western workmanship by the stone carver d. Donatello .
What is the classical principle of contrapposto?Contrapposto was the name given in ancient Greek to the idea of moving the body from a flat, still position to one that is more dynamic. It is specifically defined as a relaxed stance in which the body's weight is shifted to one side and the shoulders and hips drop on either side. The Contrapposto stance was first developed by the Ancient Greeks in the early fifth century BC. It emerged as an alternative to Greek Kouros sculptures, which had a stiff, rigid quality and depicted figures facing forward with equal weight on both legs and one foot slightly in front of the other.
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