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1. The radical break led to a period of political fragmentation and a decline in the central authority of Egypt.

2. The technique in the painting was used to decorate the walls of temples and tombs, depicting scenes from everyday life, religious ceremonies, and important historical events.

3. The anatomy of the people in the artwork reflected the Egyptian's emphasis on order, balance, and symmetry in their art and culture.

The radical break between the New Kingdom and the Old Kingdom of Egypt occurred around 2050 BC when the central government collapsed, and Egypt was split into different factions. This period is known as the First Intermediate Period, and it lasted for around 150 years. The collapse was caused by several factors, including drought, famine, and social unrest.

Sunken relief carving is a type of artwork that is unique to the New Kingdom of Egypt. It is different from other Egyptian artworks because it involves carving the design below the surface of the stone, creating a 3D effect.

This technique allowed for intricate details and greater depth to be added to the artwork. Additionally, the sunken relief carving was often painted, giving the artwork a vibrant and colorful appearance.

The anatomy of the people in the sunken relief carving varied depending on the subject matter. In general, the figures were depicted with idealized, symmetrical bodies and exaggerated features, such as elongated fingers and toes.

Men were typically shown with muscular and athletic bodies, while women had a more slender and curvaceous appearance. The artwork also often depicted the social hierarchy of Egyptian society, with the pharaohs and other important officials shown in larger scale and more detailed than commoners or slaves.

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The beat in the given selection is divided into short-short or two quicker notes on each beat. So, the option is C.

A beat is a recurrent pulsation that produces the music's rhythm. It is a series of notes arranged in a particular pattern. To measure time, music is divided into equal time units known as beats. A beat is a musical instrument that plays a single sound or tone at a fixed speed and rhythm. A tempo, or the speed of the beat, is determined by the speed of the pulse in the music.

The provided selection does not mention any details about the selection. We cannot determine the content of the selection based on the given information. Therefore, the best answer that can be inferred from the given options is that the beat in the selection is divided into short-short or two quicker notes on each beat. This implies that the beat follows a binary pattern, as opposed to a ternary pattern, which would have three quicker notes on each beat.

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The statement that is NOT TRUE about swing music from the period 1935-1945 is B. Swing music was intended for serious listening in a small jazz club.

Swing music was so popular that 1935-1945 was known as the "Swing Era". Swing music was intended for serious listening in a small jazz club. Swing music was more composed because it is played by a larger group. One of the best- known swing composers and band leaders was Duke Ellington.

Swing music from the period 1935-1945 was a popular music genre in the United States. This period was known as the "Swing Era" and was characterized by the use of the swing rhythm. Swing music was typically performed by large orchestras and often featured improvisation.

Swing music became the most popular music in the United States during the 1930s and 1940s. Swing music was intended for dancing and entertainment rather than serious listening in a small jazz club. Swing music was designed for a larger audience in ballrooms and dance halls.

Swing music was often composed for large groups and was characterized by complex arrangements and improvisation. One of the most well-known swing composers and band leaders was Duke Ellington. Duke Ellington was a prolific composer and bandleader who wrote and arranged hundreds of songs during the Swing Era.

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The Traditional guideline of contrapposto, or weight shift, was once again introduced into Western workmanship by the stone carver d. Donatello .

Contrapposto was the name given in ancient Greek to the idea of moving the body from a flat, still position to one that is more dynamic. It is specifically defined as a relaxed stance in which the body's weight is shifted to one side and the shoulders and hips drop on either side. The Contrapposto stance was first developed by the Ancient Greeks in the early fifth century BC. It emerged as an alternative to Greek Kouros sculptures, which had a stiff, rigid quality and depicted figures facing forward with equal weight on both legs and one foot slightly in front of the other.

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