Answer:
there  is called Anthropomorphs. Painters used figures and yucca fiber brushes to apply reddish pigment made from iron oxide.
Explanation:Got it right on edge. Hope this helps :)
Answer:
This piece is entitled, Anthropomorphs, and was found in Utah. To create this piece, the painted used his/her fingers and yucca fiber brushes to apply reddish pigment made from iron oxide to the rock.
Explanation:
quizlet
chris wants the camera to help her choose shutter speeds for the shot while she manually chooses the f-stop. Which mode should she use?
A.
aperture priority
B.
shutter Priority
C.
single Shot
D.
automatic
Answer:
The answer is B
Explanation:
I think
Look at this photo. This statue is a
Mother and child sculptures are made of wood, beads, metal, glass, and Kongo culture. Instead, they seek to depict spiritual or human realities and communicate these realities through representations of people or animals.
What does African art look like?Among the many characteristics of African art is its preference for creative expressionism over realism, its propensity for depicting the human form in both images and sculptures, its greater emphasis on sculpture than on painting, its use of abstract themes and images, and its blending of the visual and performing arts.
The phrase "looks like a human person" is used by African artisans to describe carved figures. Rarely do specific individuals, real animals, or the genuine shape of phantom spirits appear in the artwork. Instead, they seek to explain concepts about spiritual or human truth via pictures of people or animals.
Learn more about African Art here:
https://brainly.com/question/5566447
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Answer: pfemba
Explanation:
In conceptual art, the
is more important than the finished product
What do you think the deeper meaning or reflection on society as a whole, is being made about people today through works like Cattelan's?
In Maurizio Cattelan's Daddy Daddy, Pinocchio has met his end, floating face-down in the Guggenheim's fountain–presumably having jumped, fell, or been pushed off the ramparts of the museum's ascending spiral ramp. There is no clear cause, just a result: this body, the record of a dismal yet laughable turn of events, the death of a lovable Disney character. The sculpture is site-specific: for its memorable visual joke to work, it depends on the airy grandeur of Lloyd Wright's atrium. You have to be able to look up and see the many places from which a person, or a puppet, could fall. By imagining this disastrous outcome, the piece transforms the museum's spatial splendor into a droll vertigo. (Photo: The Guggenheim Museum.)